Yorkville EF500P

This combination of amplifier technologies keeps distortion to a minimum while reducing the heat dissipation to a level low enough to eliminate the need for heavy heatsinks for the overall power stage. As an additional advantage, our unique combination of two-tier and Class D amplification has reduced extraneous heat to the point that EF500P can easily be used in any orientation, and close to walls, floors and in close arrays with multiple cabinets. We have found that competitive active loudspeakers with large finned heatsinks need to be operated vertically and with clearance to ensure proper heat dissipation and ventilation. Since the EF500P is ideal for flying in large clusters and in point source concert sound systems, our designers took extra care making sure that in tight clusters overheating would not be an issue.

We've also found an opportunity to tweak the electronics for maximum overall speaker performance and protection. Borrowing some ideas from our powerful and popular TX Series PA systems, the limiters used in the input and crossover stages are a complex combination of gain reduction and sweeping filters. As the EF500P is being pushed to its maximum input / output levels, it's advanced filtering begins rolling off unnecessary subsonic frequencies. In addition the processing protects the individual components ensuring failure free operation even after long term operation at close to maximum output levels. The filter has remarkable (less than 70ms) response times, allowing the system to constantly be retuning itself to make sure the output is as clean, as loud and as clear as possible at any given moment. This is achieved without negatively affecting the overall sonic quality of the cabinet. This ensures that the essential part of any mix, like the vocals or solo instruments, come out clean and clear when the cabinet is being operated at the extremes of power and woofer excursion. Extremely fast and accurate limiting is in place to protect the speaker components.

The EF500P has a built in mixer allows the loudspeaker to be used directly with a microphone and / or line source. The loop output allows additional active cabinets to be driven from one cabinet's mixer stage, or a series of cabinets to be driven from one source. If desired, the end user can combine a pair of the EF500P's using the mixer inputs on each cabinet and coupling the loop outputs. In this simple example you would have the ideal presentation system with two microphone inputs, two line inputs optimized for CD, Cassette or laptop computer audio source, complete within two speaker cabinets. Many of our active cabinets can be linked together but a maximum of three 'mixers' can be active at any one time. (Making three mic sources and six line sources available in any three or more cabinet array). The microphone input has equalization and high pass filtering appropriate for vocal applications. The trim control allows looped cabinets to be individually adjusted in level. This is invaluable in applications where large numbers of cabinets are used such as clusters or in trade show applications or when EF500P's are used as repeater cabinets or for side fill. The 100 Hz high pass filters allows the EF500P to be used more efficiently with any active subwoofer.

Features

Specifications

Karaoke Laptop Designed for Karaoke and DJ Gigs. Massive 1 Terra Byte Hard Drive, Powerful Dual Core Processing, Supports Dual Video Displays, and includes Karaoke Software and DJ Software.

Streamlined, social, and connected.The new cue 7 Does everything cue 5 will do plus more. We are shipping Cue 7

CUE is the most reliable, intuitive DJ software. It empowers DJs to mix, scratch, juggle, and sample audio and video on its dual virtual decks. You can use CUE just like you use vinyl, CDs, or most other DJ formats. Just load tracks from your virtual crates to the virtual decks and mix it up. Working with digital tracks is just like it’s always been since the days of vinyl, and you can control with your mouse or select from a wide range of Numark controllers, decks, and mixers for the feel you prefer.

CUE supports Numark's NS7, V7, MIXTRACK. OMNI CONTROL, STEALTH CONTROL, TOTAL CONTROL and iDJ3. Support is also present for Akai Pro MPD controllers, LPK25 and LPD8.

NEW IN CUE 7

Multi Deck:

YOUR MIX… YOUR SOFTWARE

While many other programs require you to adapt your style to their layout, CUE has a series of software skins that tailor the actual look and layout of the program to your mixing needs. You can select Basic, Power Audio, Internal Mixer, and Full Audio and Video for the setup that’s right for you.

COMPLETE COMPATIBILITY

CUE enables you to play directly from a CD or from a variety of digital audio files including MP3, MP3Pro, MP4, M4A, WAV, AIFF, DVD, WMV, CDA, WMA, ASF, OGG, and iTunes ACC (non-DRM). On the video side of things, CUE handles DVD, VOB, DIVX, MPG (1, 2, 4), AVI, WMV, and Karaoke (CD+G) files with ease. CUE also supports VST plug-ins and is compatible with virtually any MIDI controller including NS7, TOTAL CONTROL, STEALTH CONTROL, OMNI CONTROL, iCDX, M1USB, C3USB, X1USB, DJ|iO, VIRTUAL VINYL, and more. CUE also supports DirectX and multi-channel ASIO.

HENCE THE NAME

CUE has advanced, extensive cueing capabilities that enable you to expand your performance beyond the standard. CUE has video on-screen cueing, audio cueing in headphones, outputs to a club’s video screens and audio system(s), and even the ability to broadcast video and audio on the web!

MASTERFUL MIXING

CUE empowers you to mix, scratch, and interchange audio and video for traditional or multimedia performances. See the visual waveform of the track in CUE’s Rhythm Window for flawless mix accuracy. CUE can automatically sync tracks together for effortless song transitions. CUE automatically detects BPM on virtually any track to help you make your own transitions.

CUE’s video and audio mixers contain multiple video transitions and effects. You can also choose from a variety of built–in effects, add VST plug-ins, and create beat–matched loops and samples for on the fly remixes.

If you’re playing a karaoke gig, you’ll appreciate CUE’s automatic CD+G file detection allows that shows all of your karaoke files with a single click.

SEARCH WITHOUT SEIZURE

CUE is designed around the basic rule that you can’t mix what you can’t find. So we made search powerful, fast, and flexible. You can easily search and locate audio and video on your system by searchable by Title, Artist, BPM, Track Length, and even by Comments – nine different tag categories in all! Files are automatically added to CUE’s global search database when you add them to your system by downloading, importing, inserting, or connecting them. CUE’s smart database management automatically checks your library when you launch the program and fixes any problems it finds.

VIBRANT VIDEO

CUE has extensive video performance capabilities and works with virtually all formats. You can add powerful effects and text titles. Its video clip player gives you sampler-style playback. There’s also a slide show plug-in.

PRO PLAYBACK

CUE has a series of tools for managing playlists and history. Play History Management automatically records what you played and when. CUE stores playlists in your documents directory for easy management and portability. Plus, it’s compatible with crates and iTunes playlists.

Karaoke Mixer ZED 10FX

About Allen & Heath

We've built a lot of mixers in the last 40+ years and we still get a huge buzz out of doing it well. It's an unbeatable feeling to know that at any time of day or night, right across the globe, there is an Allen & Heath mixer out there working hard, sounding great and making life a little easier for the person at the controls.

Back in the early 70s we were hand-building consoles in a small factory in London for elite bands like Pink Floyd and The Who. These days Allen & Heath customers are spread across almost every environment imaginable, including touring, theatres, houses of worship, nightclubs, TV and radio stations, recording studios and countless other places where great sound matters.

We are proud to design and specify all the product ranges here at our headquarters in beautiful Cornwall, UK, with manufacturing split between our UK factory and a production facility in China. Our R&D teams are dedicated to designing world-class mixing desks using cutting-edge technology, advanced techniques and highest quality components. Quality has always been our watchword and we have an exceptionally dedicated team of production employees, many of whom have been with us for many years and who take responsibility for providing our customers with excellent products.

There are plenty of companies making mixers, but we believe we've got a very special selling point: we're truly passionate about what we do and understand what our customers do. This isn't just something that gets reflected in glossy brochures, it's something you hear when you pick up the phone to us, and you hear it most of all every time you use an Allen & Heath mixer. Every console has been meticulously designed to deliver the clearest and cleanest replication of the original sound, and that sound tells you a lot about the people who created it. Listen to a bunch of engineers talking about Allen & Heath mixers and you'll probably hear words like ‘transparency’, ‘clarity’ when considering the signal path and with processing such as equalisers 'warmth', 'depth' and 'fullness' used a lot. Those characteristics don't come about by accident - we tweak, tease, experiment and compare over many months to perfect each console we design, getting the very best from every component. We only introduce a new product when we're convinced that it sounds fabulous!

Of course, having a great sound is not good enough on its own, the products also have to provide the right tools to allow artistes and engineers the creative scope to produce the results they want, be that for a band performing at a venue or a DJ producing a new mix in a nightclub. Our customers make an important contribution to our products with their feedback on how they use products and what they would like to achieve next. Together we can continue to make great audio mixing products!

Multi Purpose Mixer with FX for Live Sound and Recording

ZED-10FX is an amazing little desk for small band mixing. It is ultra portable for carrying to the gig, and can be used for recording live or in the studio. It comes with configurable USB audio in/out making it easy to capture stereo recordings.

Guitars can be plugged in directly to the mixer using the specially designed high-impedance inputs, while the mixer has two stereo inputs for MP3/CD players or keyboards. Equipped with professional XLR stereo outputs and a flexible monitoring section with headphone and speaker feed outputs. We’ve added a set of fabulous effects to give shimmering reverbs and enhance your sound.

ZED-10FX is bundled with IK Multimedia’s AmpliTube X-GEAR software, giving access to superbly modelled amps and effects.

Getting audio to and from a computer easily is now a common requirement for live sound and music production. The way this has been implemented on ZED is super-flexible and super-easy! No longer do you need to fiddle around the back of your PC to get to the soundcard inputs, only to find that the levels are all wrong and noisy. Just plug in a USB lead to your ZED, select the USB routing on the mixer and the device on your computer and that's it! CD quality audio to and from your PC or Mac. Switches and connection through jack socket terminals provide different send/return configurations:-

1) Main Mix Left + Right (Post master Level)
2) Aux + FX bus (Aux is a pre-fade send, FX is a post-fade send)
3) Record Bus Left + Right (Separate stereo bus to Main Mix)

1) To Playback input (through jack socket break contacts)
2) To Stereo 2 channel (through jack socket break contacts)

ZED-10FX features a responsive 3-band, swept mid frequency EQ design which utilises MusiQ – with optimised slope (or Q factor) for equalising individual instruments.

ZED-10FX has an essential selection of 16 time-delay effects, designed for small groups who don’t want to carry around an effects unit with their gear but who still want great quality FX at their gigs and on their recordings. Our DSP engineers worked hard, crafting and refining beautiful reverb algorithms to enhance every performance. These effects are available nowhere else at this price point – this quality and integration is only available from the ZED-FX. ZED effects are easily controlled using 3 buttons with 9 display LEDs. For example, the ideal delay time can be quickly tapped-in, or the perfect amount of reverb on the lead vocal can be dialled-in. There is one-stop navigation and editing – in fact, it’s just as easy as using effects pedals. To alter effects parameters, the TAP button is held down and the up/down buttons pressed to adjust the specific parameter for that effect, for example, the decay length on PLATE, or the depth on CHORUS.

ZED-10FX’s pre-amps are similar in design to our MixWizard range of mixers, but with a twist! Inputs 3 & 4 have a high impedance jack input capable of taking either a normal line level or a low level input from a guitar pickup. These newly designed inputs have been crafted with the aim of replicating the sound of a classic guitar or instrument tube pre-amp in a combo or head amp. An extremely high input impedance ensures loading on pick-ups is minimal and a Class A FET (field effect transistor) circuit powered from 48V is employed to give the valve-like gain stage. There is a gain “Boost” switch associated with the guitar inputs which boosts gain by 26dB to cater for instruments with very low level outputs and the overdrive characteristics of the guitar inputs are very similar to a valve (tube) circuit, being asymmetric and soft. All this makes for a wonderfully natural sound to be reproduced from the instrument, full of warmth and character

As if we weren’t spoiling guitarists enough with its Class A FET high impedance preamps, the ZED-10FX comes with access to a full version of IK Multimedia’s AmpliTube X-GEAR software – the first fully modular, customizable and expandable preamp and FX modelling software system. All the ingredients are there for some truly legendary guitar and bass tones.

AWM6122U - Plug-In-N-RechargeTM UHF Dual Channel Wireless Microphone System

Frontview

Rearview

AWM6122U - Plug-In-N-RechargeTM UHF Dual Channel Wireless Microphone System Back

The Audio2000'S® AWM6122U Plug-In-N-RechargeTM UHF dual channel wireless microphone system is a rack-mountable wireless microphone system with the recharge mechanism right on the top of the receiver (AWR6122U) and on the microphone (AWX6120). Intended to be a solution provider for various application environment, the AWM6122U system is developed to provide the following benefits to the users:

Friendliness: The Plug-In-N-RechargeTM feature, with the recharge mechanism built right on the microphone and the receiver, makes the wireless microphone systems ready to be used at any time.

Dependability: The AWM6122U system has been designed and manufactured to be dependable, problem free, versatile and easy to use.

Portability: A rack-mount kit is included so that the AWM6122U system can be rack-mounted.

Quality: The AWM6122U system has been engineered to have a wide audio frequency range, high S/N ratio, and outstanding performance. A delicately designed silence circuit eliminates static noise when the transmitters are either turned off or out of transmission range. An auto mute circuit is incorporated in these systems to effectively eliminate the popping noise when the switch is turned on or off.

Affordability: The AWM6122U system is intended to be readily accessible to everyone with exceptional performance at a preferred and affordable price.

APPLICATIONS

Musician; disc jockey (DJ); karaoke jockey (KJ); church; school; conference room; karaoke; home entertainment

AWR6122U RECEIVER

FEATURES

* UHF Band Frequency
* Recharge Mechanism Built-in on the Receiver
* Balanced and Unbalanced Audio Outputs
* Full Rack Case with Power and RF Indicators
* Audio Level (AF) LED Indicators
* RF Input with Built-in RF Preamplifier to Improve S/N Ratio, Sensitivity and Dynamic Range
* Low Noise Mixer Circuitry for Reducing interference
* Two Squelch Control Knobs (One for Each Channel) at the Rear Panel
* 12V-18V DC Power Supply

FRONT PANEL FUNCTIONS

1. Power On/Off Switch
2. Channel A Volume Level Control
3. Channel A Recharge LED Indicator
4. Channel A Power Indicator
5. Channel A RF Indicator
6. Channel A Audio Level LED Indicator
7. Channel A Recharge Socket

8. Channel B Volume Level Control
9.Channel B Recharge LED Indicator
10. Channel B Power Indicator
11. Channel B RF Indicator
12. Channel B Audio Level LED Indicator
13. Channel B Recharge Socket

REAR PANEL FUNCTIONS

1. Unbalanced Mixed Audio Output (1/4” Jack)
2. Balanced Channel B Audio Output (XLRM Jack)
3. Balanced Channel A Audio Output (XLRM Jack)
4. Channel B Squelch Control Knob

5. Channel A Squelch Control Knob
6. DC Input
7. F-Connector for Channel A Antenna
8. F-Connector for Channel B Antenna

SPECIFICATIONS

Carrier Frequency Range

UHF Band

Frequency Stability

+/- 0.005%

Receiving Sensitivity

-105 dB

S/N Ratio

85 dB

Audio Output

¼” and XLR (0 – 300 mV @ 600 Ohms)

T.H.D. < 0.5%

Antennae Type

F Connector

Dimensions (W X H X D)

16.5” X 1.7” X 7.1” (420 X 42 X 180 mm)

AWX6120 TRANSMITTER

FEATURES

* UHF Band Frequency
* Recharge Mechanism at the Bottom of the Handheld Microphone
* High Sensitivity Cardioid Capsule for Handheld Microphone
* High Sensitivity Condenser Capsule for Lavalier Microphone
* Noise Reduction Mechanism for Eliminating Handling Noise and Switch Shock Noise
* Battery LED Indicator

AWX6120 FUNCTIONS

1. Microphone Windscreen
2. Microphone Housing
3. Low Battery LED Indicator
4. On/Off Switch
5. Battery Cover
6. Recharge Contacts

SPECIFICATIONS

TRANSMITTER

Carrier Frequency Range

UHF Band

Frequency Stability

+/- 0.002%

Modulation

Frequency Modulation (FM)

Modulation Depth

40KHz

Output Power

10mW, Max.

Spurious Emission

> 55dB

Current Consumption <150mA

Battery

Rechargeable AA Battery (1.5V)

Dimensions (W X H X D) 9.7" X 2.0" X 2.0" (245 X 51 X 51 mm)

SYSTEM

Carrier Frequency Range

UHF Band

Frequency Stability

+/- 0.005%

Audio Frequency Response

50 – 15,000Hz

S/N Ratio

> 100dB

Max. SPL 110 dB

T.H.D.

< 0.5%

Service Area 100 ft (30M)

Operation Temperature 14 °F -122 °F (-10 °C - +50 °C)

SYSTEM OPERATION

Take the antennas from the shipping box and connect the antennas to the F connectors on the rear panel of the AWR6122U receiver. Set the antennas at an angle 45 from the floor and 90 away from each other to achieve the best RF reception.

Connect the AWR6122U receiver DC input to an AC power source via the supplied AC/DC adaptor.

If needed, adjust the squelch control of each channel to overcome any excessive external interference signal or noise that exists when the transmitter is turned off. If the external interference signal or noise exists when the transmitter is off, adjust the squelch control knob slowly until the unwanted interference signal or noise is muted. (Note: Setting the squelch too high will reduce the range of this wireless system.)

Connect the AWR6122U receiver audio outputs to the microphone inputs of a mixer via phone plug cables. (Note: There are three outputs: one unbalanced mixed output, one balanced channel A output, and one balanced channel B output.)

If the AWX6120 handheld microphones are to be used in the wireless system, place two rechargeable AA batteries into the battery housing of each AWX6120 microphone with the battery polarity oriented as indicated. If the batteries need to be recharged, set the AWX6120 microphones (with the recharge contacts facing downwards) onto the recharge sockets on the AWR6122U receiver. (Note: Never recharge any battery that is not made to be rechargeable.) The orange recharge LED indicators will be on when the batteries are being recharged. After the batteries are fully charged, the orange recharge LED indicators will turn greenf.

Turn on the power of the AWR6122U receiver.

Turn on the On/Off switch on each of the AWX6120 microphones. The low battery LED indicator will blink once and then stay off. If the low battery LED indicator stays on, recharge the rechargeable AA batteries in the AWX6120 microphone.

Once the AWX6120 handheld microphones are turned on, the RF indicators on the receiver will be on to indicate a proper reception.

OPERATION NOTES

The AWX6120 microphone is equipped with a microphone sensitivity adjustor (Mic. Adj.). Turn the Mic. Adj. Knob clockwise to increase the microphone input sensitivity. Turn the Mic. Adj. Knob counter-clockwise to reduce the microphone input sensitivity.

The brand new rechargeable AA batteries for the handheld microphones need to be charged before use.

The AWX6120 handheld microphone needs to be turned off before changing the batteries or battery.

The AC/DC adapter used for the AWR6122U has a DC output of 12-18V, tip positive.

Signal dropout or unexpected noise may be caused by a low battery or by an excessive distance between the microphone and the receiver. If you encounter signal dropout or unexpected noise, please check the batteries first. If batteries are still fresh, try to readjust the antennas on the AWR6122U receiver.

Do not drop the microphone on the floor or strike the microphone with any object.

Always turn off the microphone and remove the batteries if the microphone is not to be used for a period of time to prevent the microphone from being damaged by a leaking battery.

Avoid placing the receiver in a corner to prevent any RF reception deterioration.

Try to place the receiver as far away from any digital equipment, including computers and some CD players, as possible.

élite Series

EF500P - 15-inch / 2-inch Active Loudspeaker

Features

Specifications

élite Series
LS801P - 1x18-inch Rear Loaded Active Subwoofer

Features

Specifications

User Warranty Claim Procedure

Karaoke Mixer ZED 10FX

About Allen & Heath

Multi Purpose Mixer with FX for Live Sound and Recording

élite Series

EF500P - 15-inch / 2-inch Active Loudspeaker

Features

Specifications

élite Series LS801P - 1x18-inch Rear Loaded Active Subwoofer

Features

Specifications

User Warranty Claim Procedure

Karaoke Mixer ZED 10FX

About Allen & Heath

Multi Purpose Mixer with FX for Live Sound and Recording

élite Series
LS801P - 1x18-inch Rear Loaded Active Subwoofer